humanities.lit.authors.shakespeare

Art Neuendorffer wrote:
> On Mar 22, 5:35 pm, "Peter Groves" wrote:
> > "Elizabeth" wrote in message


Art. Just when you made me laugh with that
last post and I scroll up and there's wads and
wads of 'this' in my thread. Would you please
take this post down and post it elsewhere?
I'm try to establish . . . never mind.


> >
> > Elizabeth wrote:
> > >
> > > Here's the link. http://tinyurl.com/37gxyk
>
> .
> Peter Groves wrote:
> >
> > It's not just dim-witted and ignorant, like Crowley: it's also typically=

> > dishonest. To say that "Some orthodox scholars, including A.R. Cairncro=
ss,
> > Peter Alexander and Prof. Karl Elze, as well as all Oxfordian researcher=
s,
> > dissent from the generally accepted Stratfordian chronology." implies t=
o
> > the naive and trusting that scholars like Cairncross and Alexander might=

> > also believe that Shakspeare's plays begn to be written in the 1570s.
>
> 1) The original Oxfordian (i.e., Looney) believed that
> Edward de Vere didn't write the final Folio version of _The Tempest_
>
> The most brilliant Oxfordian (i.e., me) believes that Edward de Vere
> didn't write the final Folio version of _The Tempest_
> AND that his 1604 death was faked.
> ----------------------------------------
> "Peter Farey" wrote:
> >
> > "Faked (or wrongly presumed) death, disgrace,
> > banishment, and changed identity are of course
> > major ingredients in Shakespeare's plays."
> --------------------------------------------------
> Were I a king I could command content ;
> Were I obscure, unknown should be my cares;
> And were I dead, no thoughts should me torment,
> Nor words, nor wrongs, nor loves, nor hopes, nor fears.
> A doubtful choice, of three things one to crave,
> A kingdom, or a cottage, or a grave.
> -------------------------------------------
> . False Deaths
> -------------------------------------
> c.1590 Henry VI, Parts II and III
> .
> c.1590-1591 Henry VI, Part I
> .
> c.1592 Richard III
> _____ The Comedy of Errors
> -------------------------------------------------------------
> Marlowe was released from the Privy Council on May 20, 1593 (Julian)
> _ and was killed the same *SUNday* : May 30, 1593 (Greg.)
> .
> during the eclipse of the *SUN* that started the 1001st Ramadan.
> .
> There was simultaneously a *SATURN / VENUS* conjunction.
> _ (the 29+ *SATURN* period ~ Marlowe's age.)
> .
> PRINCE HAL (aside to Poins) *SATURN & VENUS* this
> _ year in conjunction! What says th' almanac to that?
> _. (Henry IV, Part I, 2.4.264-6)
> ..................................................
> Sun 1593 May 30(NS) 13:05 UTC
> .
> . Right Distance From 53=EF=BF=BDN 0=EF=
=BF=BDW:
> . Ascension Declination (AU) Altitude Azimuth
> Sun 4h 28m 23s +21=EF=BF=BD 49.3' 1.015 56.141 29.623 =
Up
> Moon 4h 28m 23s +21=EF=BF=BD 48.5' 57.4 ER 56.128 29.616 =
Up
> .
> Venus 7h 41m 43s +24=EF=BF=BD 5.2' 0.585 52.796 -51.205 =
Up
> Saturn 7h 44m 7s +21=EF=BF=BD 41.1' 9.753 50.445 -50.017 =
Up
> -----------------------------------------------------
> c.1593 Titus Andronicus
> _____ Taming of the Shrew
> .
> c.1594 Two Gentlemen of Verona
> _____ Love's Labour's Lost
> _____ Romeo And Juliet...........Juliet
> .
> c.1595 Richard II
> _____ A Midsummer Night's Dream..Thisbe
> .
> c.1596 King John
> _____ The Merchant of Venice
> .........................................
> . The Merchant of Venice Act 5, Scene 1
> .
> JESSICA: In such a night
> . Did Thisbe fearfully o'ertrip the dew
> . And saw the lion's shadow ere himself
> . And ran dismay'd away.
> .........................................
> c.1597 Henry IV part I...Falstaffe
> .
> c.1597-1598 Henry IV part II
> .
> c.1599 Much Ado About Nothing......Hero
> _____ Henry V
> _____ Julius Ceasar......Brutus, Titinius
> _____ As You Like It
> .
> c.1601 Twelfth Night.......Sebastian, Viola
> _____ Hamlet..............Claudius, Hamlet
> .
> c.1602 Troilus and Cressida (1609)
> .
> c.1603 All's Well That Ends Well (1623)..Helena
> ------------------------------------------------
> Edward de Vere
> ..................................................
> "No longer mourn for me when I am dead,
> Than you shall hear-the surly sullen bell;
> Give warning to the world that I am fled
> .
> From this vile world, with vilest worms to dwell;
> .
> Nay, if you read this line, remember not
> The hand that writ it."
> ------------------------------------------------
> c.1604 Measure for Measure (1623)....Claudio
> _____ Othello (1622)................Desdemona
> .
> c.1605 King Lear (1608)
> _____ Macbeth (1623)
> .
> c.1606 Antony and Cleopatra (1623)....Cleopatra
> .
> c.1607 Coriolanus (1623)
> _____ Timon of Athens (1623)
> .
> c.1608 Pericles Prince of Tyre (1609)..Thaisa, Marina
> .
> c.1609 Cymbeline (1623).....Imogen/Fidele, Posthumous
> .
> c.1610 The Winter's Tale (1623)...........Hermione
> .
> c.1611 The Tempest (1623)...Prospero, Ferdinand, Alonso
> .
> c.1612 Henry VIII (1623)
> ----------------------------------
> I have concluded that Oxford probably lived in hiding
> until his actual death in 1612:
> ..............................................................
> 1) Oxford certainly didn't die on St.John's day/Midsummer's Night.
> . A death that went totally unnoticed & without a trace.
> .
> 2) Oxford's widow didn't bother to write
> . her Will until Nov. 25, 1612.
> .
> 3) Lear's favorite daughter (Cordelia) was married
> . so it would have been nice if Oxford had known
> . that his favorite daughter (Susan) was married.
> .
> 4) Once he had a male heir entering puberty Oxford probably
> would have been much happier living a gay lifestyle in hiding,
> while being allowed to work in peace on the rest of
> his oeuvre (including, possibly, KJV & Don Quixote).
> .
> 5) It would have been strange for Oxford to die
> . just as Neville's five year payment ran out.
> . The flurry of 1608/9 activity was to thank Neville
> . for his patronage (& not because Oxford had died).
> .
> 6) The Ashbourne painting & the Wellbeck painting
> . are similar in many ways...including, possibly,
> . having Oxford's TWO dates of death written in gold.
> .
> 7) Oxford's swan song: _The Tempest_ (A COMEDY!)
> . was performed in court on Nov. 1, 1611.
> .
> 8) The 1612 MINERVA BRITANNA "MENTE VIDEBOR"
> ___________ anagram is clearly "DE VERE IN TOMB".
> Presumably, the burial had to be soon after Oxford's actual death.
> .
> 9) The MINERVA BRITANNA Banner Folding clearly demonstrates
> how the Equidistant Linear Sequence decoding is to be performed:
> ...............................................
> -_ V I [V] I T U R I
> . N G [E] N I O C =EF=BF=BD
> - T E [R] A M O R T
> _ I S [E] R U N T.
> .
> . VIVITUR INGENIO, C=EF=BF=BDTERA MORTIS ERUNT.
> .
> "all thinges perish and come to theyr last end,but workes
> of learned WITS and monuments of Poetry abide for EUER."
> ----------------------------------------------------
> July 6th 1604 - *Edward VEARE* earl of oxford (burial)
> .
> *AT V=EF=BF=BDRE ELLER IKKE V=EF=BF=BDRE* : *To Be or Not to Be* (Danish)
> .
> *VARE* : continue, endure, keep on, last (Danish)
> *VARE* : A wand or *STAFF* of authority or justice.
> .
> *PROSPERO* : This airy charm is for, I'll break my *STAFF*
> . Bury it certain fathoms in the earth,
> . And deeper than did ever plummet sound
> . I'll drown my book.
> -------------------------------------------
> *St. PROSPERO's EVE* : July 6th
> --------------------------------------------------
> July 6, 1189 - King Henry II dies
> July 6, 1415 - Jan Hus, Bohemian reformer (burned at the stake)
> July 6, 1483 - Richard III is crowned king of England.
> July 6, 1533 - Ludovico Ariosto dies
> July 6, 1535 - Sir Thomas More executed
> July 6, 1553 - King Edward VI of England dies
> July 6, 1560 - Treaty of Edinburgh is signed by Scotland & England.
> July 6, 1609 - Bohemia is granted freedom of religion.
> ---------------------------------------------------------
> . *CHRISTOPHER*
> ___ {anagram}
> . *THOR'S CIPHER*
> -----------------------------------------------------
> Queen Elizabeth dies: THURSday, March 24.
> Queen Mary __ THURSday, November 17.
> King Edward VI. THURSday, July 6.
> Henry VIII _____ THURSday, Jan. 28.
> .
> . BloomsDay of James Joyce's _Ulysses_:
> THURSday June 16, 1904 exactly 301 (52 week "years")
> . after Oxford's "death" THURSday June 24, 1604
> ---------------------------------------------------
> http://www.sacred-texts.com/eso/sta/sta33.htm
> .
> <> among them Sir Francis Bacon & Wolfgang von Goethe,
> have been suspected of affiliation with the R(osicrucian) O(rder)>>
> ....................................................
> THE CREST OF JOHANN VALENTIN ANDRE=EF=BF=BD.
> http://www.sacred-texts.com/eso/sta/img/14000.jpg
> ....................................................
> <> Marriage of Christian Rosencreutz identified Johann Valentin Andre=EF=BF=
=BD
> as its author, for his family crest, shown above,
> consisted of four red roses and a white cross.>>
> --------------------------------------------
> ____*OXENFORD*
> .
> ____*R.O. : FOX DEN*
> ____*R(osicrucian) O(rder) : FOX DEN*
> ____ *FOX* : *REV* (Norwegian)
> -------------------------------------------------------
> __ \_*_/
> __ _\_/
> _ * _X * Edward de Vere, Erle of Oxenford was buryed
> __ _/_\ __________ the 6th daye of Julye =EF=BF=BD 1604
> __ _/ *_\ ____________ [ *St. PROSPERO's EVE* ]
> .
> <> much later. According to Paul Altrocchi, this must have happened
> many decades later "...since pencils withsuch a sharp point did
> not appear until the late 1600's." It really is anybody's guess
> who put it there - perhaps an over-enthusiastic Oxfordian?>>
> - _The Death of Edward de Vere_ by Michael Llewellyn
> ------------------------------------------------------
> . Sonnet 16
> .
> So should the lines of life that life repair,
> Which this, Time's *PENCIL* , or my PUPIL PEN,
> Neither in inward *WORTH* nor outward fair,
> Can make you live yourself in eyes of men.
> ....................................................
> ____ *VERD* : *WORTH* (Norwegian)
> ---------------------------------------------------------
> 1604 WHITgift dies on February 29th.
> 1604 1000th anniversary of St.Augustine's death.
> 1604 Tomb of Christian Rosenkreutz discovered.
> 1604 Hamlet published
> 1604 FAMA Fraternitatis published
> 1604 Tragical History of Doctor Faustus (V1) published
> 1604 Oxford dies on the Feastday of John the Baptist.
> 1604 Oxford buried on *St. PROSPERO's EVE*
> 1604 Kepler's NOVA/AVON.
> 1604 Susan marries Pembroke on the Feastday of John the Devine
> ---------------------------------------------------
> Goethe's poem :"The Mysteries," in which Brother Mark is
> guided to the Temple where the Rose Cross is on the door.
> -----------------------------------------------
> J.W. von Goethe: _Wilhelm Meister's Apprenticeship_
> . Book II Chapter X
> .
> WHEN our friends began to think of going home, they looked about them
> for their clergyman; but he had vanished, and was nowhere to be found.
> .
> 'It is not polite in the man, who otherwise displayed
> good breeding,' said Madam Melina, 'to desert a company
> that welcomed him so kindly, without taking leave.'
> 'I have all the time been thinking,' said Laertes,
> 'where I can have seen this singular man before.
> I fully intended to ask him about it at parting.'
> 'I too had the same feeling,' said Wilhelm, 'and certainly
> I should not have let him go, till he had told us something
> more about his circumstances. I am much mistaken
> if I have not ere now spoken with him somewhere.'
> 'And you may in TRUTH,' said Philina, 'be mistaken there.
> This person seems to have the air of an acquaintance,
> because he looks like a man, and not like *JACK or KIT* '
> 'What is this?' said Laertes. 'Do not we two look like men?'
> 'I know what I am saying,? cried Philina;
> 'and if you cannot understand me, nEVER mind. In the end
> my words will be found to require no commentary.'
> ---------------------------------------------
> . Beaumont and Fletcher. Philaster.
> . Act the Fifth Scene IV
> .
> 1ST CIT.: I'll have a leg, that's certain.
> 2ND CIT.: I'll have an arm.
> 3RD CIT.: I'll have his nose, and at mine own charge
> . build a college and clap't upon the gate.
> 4TH CIT.: I'll have his little gut to string a *KIT* with;
> . For certainly a royal gut will sound like silVER.
> ---------------------------------------------
> . sudore non supore - by labour not sleep
> .......................................
> . http://www.st-ives.info/
> .
> As I was going to St Ives I met a man with seven wives.
> Each wife had seven sacks, Each sack had seven cats,
> Each cat had seven KITs;
> KITs, cats, sacks and wives -
> How many were going to St Ives?
> --------------------------------------------
> ____ *OXENFORD*
> ____ {anagram}
> ____*R.O. : FOX DEN*
> ____*R(osicrucian) O(rder) : FOX DEN*
> .
> ____*KITS*
> ----------------------------------------------
> Peter Bull's 14 letter *TIK-KITM-MARL-LOW*
> is somewhat less impressive but quite similar
> to John Rollett's 15 letter discovery of
> *HENRY-WR-IOTH-ESLEY* in the Sonnets
> dedication (: i.e., a name closely associated with
> William Shakespeare which is broken into 4 pieces).
> .
> Rollett's solution is clearly statistically significant
> in its own right. Peter Bull's *TIK-KITM-MARL-LOW*
> is probably statistically significant as well given
> the apriori existence & legitimacy of Rollett's find.
> ---------------------------------------------------
> [T]hou wilt restore, to be my comfort still:
> [I]s't not enough to torture me alone,
> [K]nowing thy heart torments me with disdain,
> [I]f Nature, sovereign mistress over WRACK, [short sonnet!]
> [T]o weigh how once I suffered in your crime.
> [M]ine eye well knows what with his gust is 'greeing,
> [A]nd peace proclaims olives of endless age.
> [R]eturn, forgetful Muse, and straight redeem
> [L]ike a deceived husband; so love's face
> [O]f faults conceal'd, wherein I am attainted,
> [W]hen others would give life and bring a TOMB.
> --------------------------------------------------
> (W)hy of eyes' falsehood hast thou forged hooks,
> (I)n things of great receipt with ease we prove
> (S)hall Will in others seem right gracious,
> (H)e learn'd but surety-like to write for me
> .
> Sonnet 135: WhoEVER hath her *WISH* , thou hast thy 'Will,'
> .
> . King Lear Act 2, Scene 4
> .
> REGAN: so will you *WISH ON* me,
> .
> . Measure for Measure Act 2, Scene 1
> .
> FROTH: I nEVER come into any room in a *TAP-house*
> . but I am drawn in.
> -------------------------------------------------
> Philip Massinger: _A New Way to Pay Old Debts_ Act I Scene I
> .
> [Enter] TAPWELL, WELLBORN [in tattered apparel,] and FROTH
> .
> TAP. [to his wife.] Cry out for help!
> .
> WELL. Stir, and thou diest:
> Your potent prince, the constable, shall not save you.
> Hear me ungrateful hell-hound! Did not I
> Make purses for you? Then you lick'd my boots,
> And thought your holiday *CLOAK* too coarse to clean them.
> 'Twas I that, when I heard thee swear if EVER
> Thou couldst arrive at FORTY pounds thou wouldst
> Live like an emperor, 'twas I that gave it
> In ready gold. Deny this, wretch!
> .
> TAP. I must, sir;
> For, from the tavern to the *TAPhouse* , all,
> On forfeiture of their licenses, stand bound
> Ne'er to remember who their best guests were,
> If they grew poor like you.
> .
> WELL. They are well reWARDED
> That beggar themselves to make such CUckolds rich.
> ---------------------------------------------------------
> ______ *LVCRECE*
> ______ {anagram}
> ______ *VERE CCL*
> http://www.ndsu.nodak.edu/ndsu/maune/images/Lucrece.jpg
> .
> And my TRUE eyes have nEVER practised how
> To *CLOAKE* offences with a cunning brow.
> .
> 'O Night, thou furnace of foul-reeking smoke,
> Let not the jealous Day behold that face
> Which underneath thy *BLACK ALL-HIDDING CLOAKE*
> Immodestly lies *MARTYR'D WITH DISGRACE* !
> Keep still possession of thy gloomy place,
> That all the faults which in thy reign are made
> May likewise be *SEPULCHRED* in thy shade
> ..........................................................
> _. GOOD FREND FO_{R}_[IE]{SVS}'_S(AKE)__ FOR[BE]ARE,
> ___ TO DIGG THE D_{V}_[ST] ___ EN(CLO)ASED [HE]ARE:
> ...........................................................
> __ BLESTE BE Ye MA_{N} Yt___ SPA[RE]S THES STONES,
> ___ AND CVRST BE H_{E} Yt___ MO[VE]S MY BONES.
> ...............................................
> http://library.thinkquest.org/5175/images/grave1.jpg
> -------------------------------------------------
> What needs my Shakespeare for his honour'd bones,
> The labour of an age in piled *STONES* ,
> .....................................
> _____*STONES*
> _____{anagram}
> _____*SONETS*
> --------------------------------------------
> http://shakespeareauthorship.com/cipher/bmarlowe1.html
> .
> . <=3D 12 =3D>
> .
> 137 T T T Y I B(W)W W W O T
> 136 I S A T W I(I)A T T F T
> 135 W A M T W N(S)A T A S O
> 134 S A M[T]B F(H)V T T A S
> 133 B F[I]B M A[O]A P B W T
> 132 T[K]H L A B[N]D A O T A
> 131 T A F T Y T(T)A A A O T
> 130 M C[I I}I B(A)T I T I M
> 129 T I{I}S I P(P)O M H A B
> 128 H V W[T]D{T)W A T A O M
> 127 I O B A F F S B T H A S
> 126 O D W{T|I]A S M Y S H A
> 125 W W O W H L F P N A W B
> 124 Y I A W N I V W I W B T
> 123 N T T T O W A T T N F M
> 122 T F W B O H T O T N T T
> 121 T W A N F G O W N A I B
> 120 T A N V F A A[T]O M A T
> 119 W D A S W W H I O T A G
> 118 L W A W E T A T T T A W
> 117 A W F W T A T W B A B B
> 116 L A W O O T I W L W L B
> 115 T E Y M B C T D A M W C
> 114 O D O A T S C A O A[M]A
> 113 S A D S F O O N F T T T
> 112 Y W F S Y T N T I O T M
> 111 O T T T T A T P W P N N
> 110 A A G M M A T A N M O A
> 109 O T A A T L I S N A T T
> 108 W W W T N I C E S W N B
> 107 N O C S T A I[A]N M S W
> 106 W I A I T O I E S O A T
> 105 L N S T K S T O F F A T
> 104 T F S H T I T S A S S H
> 103 A T T T O L T D W T F T
> 102 M I T T O W A A N T B A
> 101 O F B S M T B B B E T A
> 100 W T S D[R]I S A R I I A
> .99 T S I W I T A T O A A B
> .98 F W H T Y O C O N N T D
> .97 H F W W A T B L Y B F A
> .96 S S B T A T S T H I H I
> .95 H W D O T M C N O W W A
> .94 T T W V T A T O T T B T
> .93 S[L]M T F T I I B T W T
> .92 B F A F T W I T T S O H
> .91 S S S S A W B A T R O A
> .90 T N I A A C G T I W B A
> .89 S A S A T T A I B T L A
> .88 W A V A W V[O]T A F T D
> .87 F A T M F A T A T O S C
> .86 W B T M W A N G H W A I
> .85 M W R A I A T I H A B T
> .84 W T I W L T B T L N A M
> .83 I A I T A T H S T W F[W]
> ----------------------------------
> Recalculated for first 12 lines:
> -------------------------------------------
> *KITM-MARL-LOW* probability ~ 1/760
> ----------------------------------------------------
> Consider the "Bull Sonnets Acrostic Array" at Terry's site:
> http://shakespeareauthorship.com/cipher/bmarlowe1.html
> .
> Use a 'String Find' to count (in first 12 columns):
> .
> . 4 K's
> . 68 M's
> . 41 L's
> .
> . This automatically gives:
> .
> . 4 x 68 "K-M" pairs and
> . 68 x 41 "M-L" pairs
> .
> However, each "K**M" or "M**L" 4 LETTER string
> must be separated by multiples of 3 rows & 3 columns
> .
> Hence, the [E]xpected [V]alue number of interesting
> . "K**M" or "M**L" 4 LETTER strings
> . in the Bull array
> .
> . "K**M" E.V.: ~ 4*68/(3*3) ~ 30
> . "M**L" E.V.: ~ 67*41/(3*3) ~ 305
> -------------------------------------------------
> Now use 'String Find' {e.g., on "I T" & "T I"}
> .to count (for whole 14 lines):
> .
> 50 "IT"s (left right pairs out of ~ 4000)
> .8 "AR"s (left right pairs out of ~ 4000)
> 31 "OW"s (left right pairs out of ~ 4000)
> .
> . "IT" probability: 50/4000
> . "AR" probability: 8/4000
> . "OW" probability: 31/4000
> --------------------------------------------
> . Now applying the
> .
> "IT" prob: 50/4000 =3D 1/80
> "AR" prob: 8/4000 =3D 1/500
> .
> . to the [E]xpected [V]alue of interesting
> . "K**M" or "M**L" 4 LETTER strings
> .
> gives [E]xpected [V]alue of
> .
> . "KITM" E.V. =3D 30 / 80
> . "MARL" E.V.=3D 305 / 500
> .
> Hence one would be lucky to expect ONE of each
> (which presumeably is what Peter Bull found)
> ----------------------------------------------
> However, one would NOT expect these
> . two (expected) 4 LETTER strings:
> "KITM" & "MARL" to share the SAME "M"!
> .
> . For these two strings to share the SAME "M"
> .
> "KITM-MARL" E.V.: 30*305/(80*500*68) ~ 1/297
> ------------------------------------------------------
> The additional of "LOW" adds a little bit more to this:
> --------------------------------------------------
> Given the prior spacings in "KITM" & "MARL"
> it would be reasonable to look for the "O"
> . of the "OW" pair in one of 62 positions:
> .
> . [L]M T F T I I
> . F A F T W I T
> . S S S A W B A
> . N I A A C G T
> . A S A T T A I
> . A V A W V[O]T
> . A T M F A T A
> . B T M W A N G
> . W R A I A T I
> .
> Only one "[O]W" is found out of 62.
> .
> . How does this compare with and
> . expected "OW" prob: ~31/4000?
> -----------------------------------------
> . Fisher's Exact Test
> http://www.matforsk.no/ola/fisher.htm
> .
> . TABLE =3D [ 1 , 61 , 31 , 3970 ]
> 2-Tail : p-value =3D 0.38980385512773885
> -----------------------------------------
> . So the [E]xpected [V]alue of
> . the final "OW" is ~0.39
> .
> "KITM-MARL-LOW" probability: 0.39/297 ~ 1/760
> .
> A respectable if not overly impressive number in itself.
> --------------------------------------------------------
> . Now things get interesting:
> --------------------------------------------
> ____*OXENFORD*
> .
> ____*R.O. : FOX DEN*
> ____*R(osicrucian) O(rder) : FOX DEN*
> .
> _______4 *KITs*
> ------------------------------------------------------------
> . "KITM-MARL-LOW" + 4 close "KIT"s probability?
> ------------------------------------------------------------
> Peter Bull points out:
> .
> <<1 The beginning of the message is very clearly signposted. The
> K forming the first letter of the message is the starting point of no
> less than five regularly formed KITs, one of which appears in adjacent
> squares and all of which are straight-line examples, with left to
> right orientation and tight letter spacing. This KIT node is
> 'highly anomalous' in the grid. It is eye-catching. Its occurence
> is highly unlikely to be the product of random forces.
> .
> 2. The line of the message as it unfolds from the initial K
> is also indicated because the KITM of the first section is
> exactly superimposed on a seperate KIT line. This is a
> signal of its intentionality. It is an anomaly compounded.>>
> -----------------------------------------------------
> So what about the four other "regularly formed KITs"
> .
> . The pertinent I's lie within the 25 spaces
> . of a half-diamond surrounding the K in "KITM":
> .
> . S
> . A M
> . A M[T]
> . F[I]B M
> . [K]H L A B
> . A F T Y
> . C[I I}
> . I{I}
> . V [T] {T}
> .
> . {T}
> .
> . So 4 of these 25 spaces produce
> . the "I" for a "KIT" while 19 do not
> . [; ignoring the "K" & "T"]
> .
> Compare this with the 50 "IT"s found in ~ 4000
> . left right pairs in the "Bull array":
> ---------------------------------------------
> . Fisher's Exact Test
> http://www.matforsk.no/ola/fisher.htm
> .
> . TABLE =3D [ 4 , 19 , 50 , 3950 ]
> 2-Tail : p-value =3D 0.00021257190299677967
> -----------------------------------------------
> Therefore there is only ~ 1/4700!! probability
> . for this close clustering of 4 "KIT"s!
> ----------------------------------------------
> Hence, the chance of "KITM-MARL-LOW"
> . PLUS 4 close "KIT"s
> .
> . ~ 1/(760 x 4700) ~1/3,600,000!!!
> ----------------------------------------------------
> http://www.masoncode.com/Great%20Seal%20Sonnets.htm
>
> As an Oxfordian the base 17 pyramid is ideal!
> -----------------------------------------------
> A nice pattern emerges if
> the sonnets are written out in
> boustrophedon "ox path" style:
> ..................................................
> *Under a STAR-Y-pointing PYRAMID* -- Milton (1630)
> .
> ---------- *SONET EYES*
> ...
> ---------------- * 154
> --------------- 0 0 153
> -------------- 0 * * 151
> ------------- 0 * * * 148
> ------------ 0 0 Y * * 144
> ----------- 0 * 0 * * * 139
> ---------- 0 * * 0 * 0 0 133
> -------------------------------------------
> --------- * * * * 0 * 0 * 125
> -------- * * * * 0 0 * * * 117
> ------- * * 0 * 0 * * * * * 108
> ------ 0 * * * * 0 * 0 * * * 98
> ----- * * * * 0 * 0 * * 0 * * 87
> ---- * * * * * * 0 * * * * * * 75
> --- 0 0 * * * * 0 0 * * * * * 0 62
> -- * * * * * * * * * 0 * * 0 0 * 48
> - 0 * 0 0 0 * * * 0 0 0 * * 0 * 0 33
> . 0 0 * * 0 * 0 * 0 * * * * 0 * 0 0 17
> ----------------------------------------------------
> What needs my Shakespeare for his honour'd bones,
> The labour of an age in piled *STONES* ,
> .....................................
> _____*STONES*
> _____{anagram}
> _____*SONETS*
> .....................................
> Or that his hallow'd relics should be hid
> *Under a STAR-Y-pointing PYRAMID* ?
> Dear son of memory, great heir of fame,
> What need'st thou such weak witness of thy name?
> -----------------------------------------------
> Art Neuendorffer